Alarinjo Travelling Theatre
Hubert Ogunde who became the first Nigerian artist of the contemporary theatre to turn professional and assume the leadership of a flourishing theatre. This theatre was created out of the cantata and choral works of the Christian church during the 1930s and 40s and also refers back to the Alarinjo travelling theatre tradition that can be traced back to sixteenth century Yoruba culture.
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The Yoruba Traditional Alarinjo Travelling Theatre according to different scholars of Nigerian theatre and drama is a highly itinerant theatrical performance of Egungun masquerade located around numbers of Yoruba settlements such as villages and major towns.
Alarinjo travelling theatre. There were separate guilds for musicians mask carvers and actors. 4 Alarinjo is a term used in describing the Yoruba traveling theatre a performance tradition of masked actors which found its roots in the Yoruba aristocratic society of the late 15th century. 2 and myths such as the beliefs about egungun5 masquerades ie the spirits of the.
The study specifically focuses on Yoruba Traditional Alarinjo Travelling Theatre contemporary itinerant theatre and selected works of Hubert Ogunde Wole Soyinka Ola Rotimi and Femi Osofisan. What is the history of alarinjo travelling theater. The evolution of performance in the old Western part of Nigeria has been traced to the Alarinjo theatre.
Hubert Ogunde who became the first Nigerian artist of the contemporary theatre to turn professional and assume the leadership of a flourishing theatre. Theatre and Festivals as Poly. 1978 Call number PN2969 O35 Type Articles Place Nigeria Smithsonian Libraries Topic Alarinjo Yoruba theater Yoruba drama Traveling theater Egúngún Cult Yoruba theater Record ID.
What is the history of alarinjo travelling theater. Alarinjo theatre has a lot of influence on African theatre especially in Nigeria. In the second part of the section Traditional Theatre II.
As other scholars such as JA. Alarinjo travelling theatre of the Yoruba People 76 312 Summary and Conclusion 78 CHAPTER FOUR The Yoruba Popular Travelling Theatre 41 Introduction 81 42 Influences of Europe and America on the Yoruba Popular Travelling Theatre 84 43 Description of Yoruba Theatre. Originating in the Egungun masquerade cult it dates back to the early part of the seventeenth century when Ologbin Ologbojo who was Arokin chief rhapsodist cymbalist and ballad.
The theoretical framework of the study is based on three concepts. The Yoruba Masque Theatre popularly known as the Alarinjo is the traditional traveling theater of the Yoruba. The Alarinjo tradition influenced the popular travelling theatre which was the most prevalent and highly developed form of theatre from the 1950s to the 1980s.
The rupturing of the. Hugh Clapperton and Richard Lander gave the first account of Alarinjo the traditional Yoruba Travelling Theatre in the Old Oyo Empire as far back as the 15 th century 7. Its theatrical styles are known to have been derived from three developmental stages.
The Tiv Kwagh-hir has doubtlessly served this purpose surviving where most indigenous ethnic theatrical forms such as the Yoruba Alarinjo travelling theatre have fizzled out or have been stamped away by religious and cultural imperialism and particularly by social economic political and technological challenges and pop culture Aguoru 2011. Alarinjo theatre had masked actors was performed in Oyo Yoruba kingdom courts and developed a guild system to pass on secrets. The Traditional Yoruba Travelling Theatre bears this revelation.
The Yoruba Masque Theatre popularly known as the Alarinjo is the traditional traveling theater of the Yoruba. A critical source books edited by Yemi Ogunbiyi Lagos. Government in Nigeria is like the Alarinjo traveling theatre comic and farcical.
Ritual festival and theater Adedeji 1972. In the second part of the section Traditional Theatre II. Their performances were occasionally initiated by important personalities such as Kings and Chiefs.
One of the most notable characteristics of the Masque Theatre is its use of poetry esa. In the early 19th century war broke up the guilds and theatre passed to traveling. The Popular Tradition JA.
The Alarinjo theatre had special influence on African theatre as it serves as the inspiration to many. That is why institutions of government rig population census figures and election results. Secondly the Yoruba have a long theatrical history which dates back to the Alarinjo or Eegun Apidan masquerade.
Reprinted in Drama and theatre in Nigeria. The Yoruba Masque Theatre or as its most commonly known the Alarinjo is a travelling theater group of the Yoruba. Adedeji Biodun Jeyifo Ebun Clark and a host of others have revealed the Alarinjo 9 travelling theatre of the Yoruba evolved from the Egungun cult.
Robust popular theatre base it becomes quite easy for the Yoruba traveling theatre to hijack the industry for the furtherance of their artistic career in another medium. Nigeria magazine 1981 pages 221-247 PN2990N5O383 1981X AFA. The theatre travelling group used to satirise negative situations thereby effecting the positive changes the society needed.
The Traditional Yoruba Travelling Theatre bears this revelation. For space and time the popular tradition is best illustrated with the Alarinjo travelling theatre and the Ogunde theatre of the South Western Nigeria. NAN reports that the late Ogunde who founded the first contemporary professional theatrical company in Nigeria is described as the father of the Nigerian theatre.
The Theatrical Event expounded by Wilmar Sauter. Originating in the Egungun masquerade cult it dates back to the early part of the seventeenth century when Ologbin Ologbojo who was Arokin chief rhapsodist cymbalist and ballad singer and. The Popular Tradition JA.
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